I was looking for something else when I stumbled across a reference to a concept in Glasgow that has been successful enough to be exported to London: A Pint, a Pie and a Play. (There is even a more elaborate version called Dinner, Drama and a Dram!)
I suspect there are places in Glasgow where you get drama without the entrance fee, but that is beside the point.
I was not able to find out much about the pints on offer – I suspect the beer reference is used to lure unsuspecting drinkers into the world of high culture.
One of the plays in the series is called Being Norwegian, so I obviously had to look up a review. Sounds like they have hit the usual grains of truth stereotypes:
Lisa was born in Trondheim and talks constantly, helplessly even, about her homeland. She describes how people situate their sofas opposite a window so they can trace the sky’s changes, how they don’t watch much television but “talk very gently to each other”, how in winter they hibernate. “Being Norwegian,” she assures Sean as he dims the lights, “we know how to live with the dark.”
The author, David Greig, appears to be quite interested in places outside Scotland, and he seems to be writing lots of serious stuff, like Cosmonaut’s Last Message to the Woman He Once Loved in the Former Soviet Union. But, being born in Trondheim, I can assure you that he does not have a clue on how they place their sofas up there. But it’s probably a metaphor. Or something. Let’s hope the pies are nice.
Softly directed by Roxana Silbert, Greig’s play proves as warming as the pie. Barely 45 minutes long, it speaks tenderly of loneliness, nostalgia, the desperate longing to connect and that misfit feeling that no one quite knows where you are coming from.
Did they give you a hard time in Trondheim, David?
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